A music project

Dynasty
Fallen

Concept albums about the women who shaped — and shattered — empires.

The project

One woman from history per album.
Roughly ten tracks each.
Cinematic visuals.
Symphonic, melodic, weighted.

Every album is a single woman’s arc — usually one history was content to flatten into a footnote, an epithet, or a victim’s name. We restore the agency, the strategy, and the cost. The music is mezzo-soprano-led symphonic rock: heavy distorted guitars, melodic leads, war drums, women’s chorus, and lyrics that take the saga seriously.

The performer is Tanaka Rei — the project’s constant voice and witness. She moves between worlds, century to century, queen to queen. Each album has its own visual language, its own palette, its own historical world. Rei is the thread.

The slap of a king became the death of a kingdom. Patience as the sharpest blade.

Volumes

The catalogue.

Adea Eurydice — Dynasty Fallen Vol. XX. A young Macedonian woman with dark hair bound back for war, in a dark wool chiton and a bronze-studded leather cuirass, a blade held low across the frame, staring straight into the lens; a line of spearmen stands blurred behind her under grey mountains and a storm sky.
Vol. XX In release →

Adea Eurydice

The Sword and the Name. Cynane’s daughter. The queen whose army knelt to the other side.

Gytha, widow of Earl Godwin, in a charcoal mantle and linen headrail beside a great beam balance in Duke William’s pavilion after Hastings, October 1066, as a Norman knight reads at his table behind her — the scale she asked to fill with her son’s weight in gold.
Vol. XIX In release →

Gytha

England Kept Them All. Mother of King Harold. Six sons, and not one grave.

Emma of Normandy — Dynasty Fallen Vol. XVIII. The band performing in the candlelit stone nave of the Old Minster at Winchester: the singer in black at centre, drums, keys, bass and an electric cello around her, a bell-rope hanging in front of an arched oak door and a robed monk watching from the back.
Vol. XVIII In release →

Emma of Normandy

Twice a queen. Mother of two kings by two kings. The woman who wrote her own history.

Granuaile — album cover. Gráinne Ní Mháille on a wet Atlantic strand at dusk, a heavy coil of wet hemp rope hauled up onto her shoulder, cropped dark auburn hair and level grey-green eyes, saffron léine under a grey-brown woollen mantle pinned with a tinned-bronze ring-brooch, a tar fire burning behind her and the black hull of a clinker galley beyond.
Vol. XVII In release →

Granuaile

By sea and land. The pirate queen of Connacht. The woman who would not curtsey.

Amanirenas of Kush — album cover. The Kandake in Meroitic royal regalia, gold diadem with twin rearing cobras and a heavy gold-and-carnelian collar, lifting a white-hot forged iron blade off the anvil with tongs while the mouth of an iron-smelting furnace blazes behind her.
Vol. XVI In release →

Amanirenas

The One-Eyed Kandake. Iron queen of Kush. The woman who made Rome sit down.

Olympias of Epirus — album cover. The queen in a wine-red chiton and fawnskin, an ivy crown and bronze serpents coiled at her wrists, raising a Dionysian frame drum high overhead as a wall of Macedonian spearmen lowers their spears and kneels in the torchlit dark behind her.
Vol. XV In release →

Olympias

Mother of Alexander. Bride of the god. The queen they could not strike down.

Mandukhai — album cover. A young fifteenth-century Mongol woman in a deep-indigo deel and sheepskin, dark hair in heavy plaited coils, a cold appraising stare, before the burnt tents of a war camp on the winter steppe. The Cinzel wordmark reads ‘Dynasty Fallen · Vol. XIV’.
Vol. XIV In release →

Mandukhai

Mandukhai the Wise. She rebuilt an empire — the record named the boy she made.

Marie Antoinette — album cover. Court-prime Marie Antoinette in the Hall of Mirrors at Versailles, in a rose rococo robe à la française with a jeweled stomacher and a pearl choker, her powdered hair dressed high in a feathered pouf. Composed, guarded, cool. The Cinzel wordmark reads ‘Dynasty Fallen · Vol. XIII’ across the top of the frame.
Vol. XIII In release →

Marie Antoinette

L’Autrichienne. Madame Déficit. The line she never spoke. The catalogue’s first villain-myth.

Elisiv — album cover. A Rus-Norse queen of about forty stands on a grey Orkney sea-headland, dark chestnut hair greying under a cream linen headcloth with a thin gold brow-band, a heavy dark blue-grey wool mantle clasped at the shoulder with a Byzantine gold-and-blue cloisonné disc brooch. Behind her, basalt cliffs and a single distant longship on the iron-grey North-Atlantic sea under a heavy overcast sky. The Cinzel wordmark reads ‘Elisiv’ over ‘Dynasty Fallen Vol. XII’ at the bottom of the frame.
Vol. XII In release →

Elisiv

Elisiv of Kiev — the Rus princess who watched the Viking Age end from the edge of the world.

Anastasia — album cover. Grand Duchess Anastasia at seventeen in close three-quarter view, blue-grey Romanov eyes lit gold from below, a small gold Orthodox cross at her throat and imperial gold-and-enamel at her shoulder, the warm palace gold falling away into the cold grey of a cellar wall behind her.
Vol. XI In release →

Anastasia

Daughter of all the Russias. The fallen dynasty made flesh. The lie that would not stay buried.

Tomyris of the Massagetae — album cover. The steppe warrior queen in bone-white and oxblood wool, bronze scale at the shoulder, kohl-lined eyes, dark warrior braids, before a cold bone-white dawn over the open grass.
Vol. X In release →

Tomyris of the Massagetae

The queen who killed the king the world thought could not be killed.

Gunnhild — album cover. Tight close-up of the young queen riding south after the Sámi-frontier hut, three-quarter face turned to the camera, wheat-blonde hair ruffled by the cold morning wind, single warrior-style braid catching a glint of light, pale blue-grey eyes staring straight ahead, full lips closed. A dark wolf-pelt collar at the lower edge of the frame. Behind her, the blurred motion of pine trees and snow streaks the cold blue-grey dawn. The Cinzel Medium wordmark reads ‘Gunnhild’ over ‘Dynasty Fallen Vol. IX’ at the bottom of the frame.
Vol. IX In release →

Gunnhild

Gunnhildr konungamóðir — Mother of Kings. They called her witch because they could not name her queen.

Freydís — album cover. Extreme close-up of warrior-prime Freydís at dawn on the Greenland Eastern Settlement coast, her face filling the frame. Pale silver-grey dawn light from the left catches the sharp angles of her cheekbones and the dark strawberry-blonde warrior braid disordered by the sea wind. Grey-green eyes lock onto the camera; a faint white scar at the left brow, breath visible in the cold air. The Cinzel Medium wordmark reads ‘Freydís’ over ‘Dynasty Fallen Vol. VIII’ at the bottom of the frame.
Vol. VIII In release →

Freydís

Daughter of Erik the Red. The Norsewoman the sagas could not agree on. The third generation.

Cleopatra — album cover. The queen in three-quarter close, sea-grey eyes lit gold from a single tallow candle below frame, gilded Uraeus and Hathor-Isis double crown catching the warm flame, lapis-and-gold wesekh collar across her shoulders, the dark stone of the Memphis temple receding into cold blue dusk behind her.
Vol. VII In release →

Cleopatra

The Serpent Queen. The last pharaoh. Isis incarnate.

Sigrid the Haughty — album cover. The queen on the stone porch of her hall at dusk, three-quarter face turned to camera with a predatory calm, warm amber from the open longhouse door on her right meeting cold blue dusk on her left, wheat-blonde braids threaded with silver rings, fur stole over a slate-blue wool dress, ice-laden longships fading into a muted backdrop.
Vol. VI Released →

Sigrid the Haughty

Storråda — the unbought, the unbowed.

Zenobia of Palmyra — album cover. The queen in deep crimson silk and lapis robes, gold pins through dark braided hair, before sandstone colonnades at golden hour.
Vol. V Released →

Zenobia of Palmyra

Augusta — the woman Rome could not erase.

Tomoe Gozen — album cover. The onna-musha framed against fire, her tachi caught mid-strike, ember light raking the blade across the burning courtyard.
Vol. IV Released →

Tomoe Gozen

Songs of the Onna-Musha — the woman warrior worth a thousand.

Olga of Kiev — album cover. Close-up of the widow-regent in her veil and fur, candlelit, eyes calm and certain.
Vol. III Released →

Olga of Kiev

The widow who buried an army — saint and avenger of the Drevlians.

Boudicca on horseback, war-painted, leading the Iceni against burning Roman cities and lightning.
Vol. II Released →

Boudicca

The Iceni Crown — the queen who burned three Roman cities.

New volumes drop on a roughly bi-monthly cadence. Tracks within the current volume drop weekly through the cycle.

Where to listen

Stream the catalogue.

Every volume is on the major streaming services. Follow to be notified when each new track drops.